..."That blockhead is my grandchild..." cont'd » Naruto, Inheritance, by zjeli
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Messages posted by: starbase11  XML
Profile for starbase11 -> Messages posted by starbase11 [126] Go to Page: 1, 2, 3, 4, 5, 6, 7, 8, 9 Next 
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I think I'll read the book after I enter the contest...after all, I won't have enough time to read then write. But it sounds very good--imaginative too!
Star Trek: The Original Series!

I can only imagine the spectacular stories they would've shared with us if they'd been allowed to go on for one or two more seasons...
Congrats to tpoptarts for being chosen as a finalist! I love the story and hope it wins--although I'm sure that the others are just as good, of course

maryilee wrote:
That happens to me too. I participated in a group fic and trying to force my muse into the plot laid out by the group was like putting a cork in the bottle of my muse. It was so hard to write my chapter. In the end, it's an okay chapter, but I didn't feel all that excited by it like I do when I've written something that I really like 


That happened to me too during Star Trek KvP. I had to stick Gary Seven, Guinan, old Spock, and old Data in my submissions when I didn't even want to put them in there in the first place! I know it couldn't really be helped, but it was annoying nonetheless--I actually tried to have them in my story as little as possible
This post is spoiler-free!

Well, I finally bought and watched The Ark of Truth today, and I have to say--although there are a few tiny points I would change--it was very, very good.

There were quite a few scenes when, out of real worry for some characters, I was in total suspense, almost literally on the edge of my seat.
The music was spectacular--Joel Goldsmith has finally come into his own as a composer. All of the acting was great, as well as the computer-generated work on the Ori ships, the Odyssey, and some certain other things which I will not name

Basically, it was a great end to the show. I actually think they should have showed it on the Sci-Fi Channel--it would've most likely gotten great ratings. But I am certainly glad I got into SG-1 in time to see this! Anyone who hasn't gotten it yet should!

jaynedarcy wrote:
One of the things I was taught a long time in my writing classes was never to write for an audience because that was a quick road to failure. More authors that I enjoy, seem to echo this sentiment (Isaac Asimov, Stephen King, Ray Bradbury are a few notables).

I'm wondering, as far as fanfic writing goes, do you write it mainly for yourself, for your enjoyment, or do you find yourself aware of your audience and writing for them?

If you do write for an audience, do you feel your story fares as well, better or worse than if you just wrote it for yourself?

 


I write for myself. A lot of times I bring back characters that supposedly have 'died'...most of the time I'm not happy to see them go, so I come up with some way to have them survive. This isn't for my audience--I don't know whether they miss these characters or not--but for my own satisfaction. I do want my audience to enjoy my stories, but none of them are written solely for others.
I can barely wait to buy the DVD! But I must say that I will be furious if they destroy the Odyssey or kill its crew. I love that ship--more than the Prometheus, the Daedalus, or the Apollo too!

Anyway, hopefully they'll finish up the Ori arc with a good, solid, well-written ending. And, just maybe, they won't put Michael (from Atlantis) in there!

cynthiab wrote:
Are you an expert in Naruto? Do you speak fluent Buffyism? Maybe you can recite every episode of Star Trek backwards?

I'm looking for experts in a variety of fandoms here on FanLib. If that's you, here's your chance to show off your stuff.

State your fandom and your case here. Obscure fandoms NEED apply! 


I'm not sure if you still need any applications, but I'm pretty much an expert on Pokemon. I have twelve games (Blue, Yellow, Silver, Crystal, Ruby, Sapphire, Emerald, FireRed, LeafGreen, Diamond, Colosseum, and XD) quite a few episodes, and--unfortunately--many of the 'written-for-little-kids' books.

Examples:

1: I made myself up a level 100 team in FireRed using Charizard, Lapras, Espeon, Sceptile, Absol, and Latios.
2: I know pretty much all of the type matchups.
3: I'm furious that they replaced the voice actors for season 8

No brag, just fact!

Anyway, if you need my knowledge for anything, please let me know!

dgtrekker wrote:
It's Michael, has to be. 


I never even thought of that! Michael went off with Walt in the little fishing boat, right? What if he went off to the boat?
I listen to what fits the story I'm writing!

I. E.: Coldplay's "The Hardest Part" for writing my Atlantis fic "The Hardest Part" ; the MacGyver theme for my MacGyver/X-Files fic "A Spring Interlude with MacGyver"; a classical Mozart piece (not sure of the title) for an unnamed SG-1 fic of mine...etc. etc. In a way, each of my stories has a theme for it.

Sometimes, if I'm not sure what to listen to, I just pick some Enya, classical, or some sort of random thing. So I never know what I'll be listening to, in a way!

cynthiab wrote:


The Five Senses!

It's quite simple. To truly involve your readers in a story they need to not only see and hear but smell, taste and feel (touch) what's going on.

How do you incorporate the senses into your writing? Do you have one you rely on more than another. I tend toward feeling - as in dampness, cold, heat, sweat rolling down the face, the smooth surface of a glass table and the scratchy feel of grass under bare feet.

Exaggerate the next time you write - go WAAY overboard with the senses if only to see what you can do. You may find that too much is actually just right.  


Some of you guys are much better writers than I am in soooo many ways...

Anyway, I think I tend to lean more towards sight. Such as this, from my SG-1 fic In All Certainty:

Out of the corner of his eye he caught movement and glanced over to see Sam sitting at his bedside, looking more radiant than she’d ever seemed before. “Colonel,” he acknowledged. 


But, at one point, I did do feeling, in the same story.

Even as his sight returned, his feeling did as well. He realized that he was alive only from the ragged throbbing in his chest. He could barely breathe from the pain; it rose into his throat with every breath he took. 


This is sight (from my Atlantis fic The Hardest Part):

True to Campbell’s words, Grodin was out there, leaning on the railing and studying the rapidly approaching sunset. Hera joined him, struck dumb by the beauty. Mesmerized, she silently watched the fiercely red clouds, ignited from behind by the sun. 


For once, I did hearing in The Hardest Part, too:

“I have something to tell you, Hera,” he finally said, so quietly that she almost didn’t hear him. The tone of his voice left her nervous. 


I think the only things I haven't really done are smell and taste. Let me think...

Actually, I did do taste in a roundabout way, in an unnamed SG-1 fic of mine.

She came back to the table and ate silently for a moment. The food tasted much better than it normally did; she attributed that to the fact that they were at the moment investigating rumors of addictive corn. At least I’m not eating any of that…I hope. 


So I've left smell out for some reason. Who knows why?

What do you think--how are my five senses?

dgtrekker wrote:

Any thoughts about last nights episode people? 


WHO is Ben's man on the ship?! (It shows--I might not be that into Lost, but I still can't help but wonder...)

theweasleyboys wrote:
I 'LOST' interest in this show years ago, so I don't really think I'm all that interested one way or the other. XD The plotlines just got too crazy and disjointed for me after a while. 


I agree. I still watch Lost, but it's really 'lost' its way lately for me, because of the flash-forwards. I still haven't figured out whether the future is set or not. If things are going to happen the way they show it, why are they showing it at all? If not, the question is again: why are they showing these flash-forwards when the future isn't going to turn out that way?

It's pretty frustrating, in my opinion. What does everyone else think about these flash-forwards?

maryilee wrote:

Well, my story In All Certainty partly uses a real Stargate SG-1 episode, but in the section I totally wrote myself, I keep mentioning bright fluorescent lights. I actually do it four times--I have no clue why, but I do!

The main character in that story almost dies, so perhaps it's 'the light at the end of the tunnel' that someone reaches for to keep living. Who knows?

Hope that qualifies as a motif!  


I think it does. Most of us didn't find a motif until we went back and looked for one, but I do believe that it wasn't completely by accident that we had them in our stories to begin with. After all, a good story should have more than just the surface meaning of the words. We're all trying to convey a certain emotion too and we associate different things with different emotions and those things sometimes find a way into our stories. 


Very good explanation--I think that describes it perfectly!

maryilee wrote:

starbase11 wrote:

cynthiab wrote:
So let's talk location, location, location. Give us your best descriptions or point us to a piece that needs help. 


Whew! To tell the truth, I don't really describe a lot about location...maybe that's why my fics are so short when I look at them in Microsoft Word. One description of mine that I like, is this from Kankei, a Stargate Atlantis fic I've been writing (and planning to post, too.)

The group walked out of the thick forest straight onto a bare cliff a few feet high, looking down onto a spectacular sight. Below was an almost totally demolished ship of the exact style as the ill-fated Orion; it had obviously been there a very long time, for it was half-buried in the ground and its body looked to be about as sturdy as a rusty car’s. 


What do you think? Is it too short? Please let me know!  


I don't think it's too short at all. I could picture it easily. If anything, I'd probably add a few details or maybe change a few words to punch it up even more. But, then again, I sometimes get too wordy.

Here's one from a new fic I just posted and I wondered if I went overboard on the description:

“Nice place.” Toni swiveled her head, taking in the tasteful caramel and maroon décor. Tables covered with snowy white linen nestled against walls adorned with old black and white photographs of Chicago. Soft jazz music played in the background, and muted lighting further enhanced the ambience.  
 


This isn't bad at all! I'm picky as to certain things, and so I'd probably say that Toni 'glanced around' instead. But that's just my opinion--otherwise, I can picture this fitting into a movie or TV show very nicely.
 
Profile for starbase11 -> Messages posted by starbase11 [126] Go to Page: 1, 2, 3, 4, 5, 6, 7, 8, 9 Next 
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